Hollow
The first proof (detail) of a new copper aquatint with line etch. This plate is still in progress, testing various etching tools & aquatint times. For this plate, I used […]
The first proof (detail) of a new copper aquatint with line etch. This plate is still in progress, testing various etching tools & aquatint times. For this plate, I used […]
I’ve recently been experimenting with copper etching in the studio, particularly refreshing my brain on aquatint, and learning how copper differs from zinc, which is what I used years ago. […]
Tiger Lily Press is a non-profit arts organization in Cincinnati, Ohio, founded in 1978. Its mission is to “produce, preserve, and promote the art of printmaking.” Classes are offered in […]
There’s this thing you can do with pronto plates that’s mad genius. They’re translucent, so multi-plate registration is easy peasy. You can re-position them on paper and the ink doesn’t […]
Have fallen in love with a new (to me) process. It’s a gloriously low-tech, immediate sort of method. All you really need is some fountain solution (32oz cold water, 1/2 […]
Working on another Porkbelly Press title this week. This is intended for a chapbook of poetry centered on the Appalachian experience (Vein of Stone, Sarah McCartt-Jackson). The language is absolutely […]
This little box is my contribution to the Northern Kentucky Printmakers‘ show “So They Say: Wisdom & Foolishness,” currently hanging at the Carnegie in Covington, Kentucky. (Up through Valentines Day […]
One of a kind cover papers adorn these fat little sketchbooks. The guts (112 pages) are Rives BFK, hand torn and sewn into a multi-signature binding. The covers are flexible […]
Hand sewn, one of a kind, miniature books. These blank books measure about 2.5 x 4 inches, and contain 32 pages of bright white, 24lb paper. Each is made with […]
Messy Kissin’ is from my ghost girls series: These tattooed ghost girls are part of an ongoing series examining aspects of beauty and vibrant color. Each begins as a portrait […]