Hollow
The first proof (detail) of a new copper aquatint with line etch. This plate is still in progress, testing various etching tools & aquatint times. For this plate, I used […]
The first proof (detail) of a new copper aquatint with line etch. This plate is still in progress, testing various etching tools & aquatint times. For this plate, I used […]
I’ve recently been experimenting with copper etching in the studio, particularly refreshing my brain on aquatint, and learning how copper differs from zinc, which is what I used years ago. […]
Tiger Lily Press is a non-profit arts organization in Cincinnati, Ohio, founded in 1978. Its mission is to “produce, preserve, and promote the art of printmaking.” Classes are offered in […]
Above: a watercolor sketch cover for Sarah Gzemski’s chapbook of poetry, essay, and photos titled Centralia (Porkbelly Press, 2015). Centralia is a borough in Pennsylvania which rests atop an underground […]
There’s this thing you can do with pronto plates that’s mad genius. They’re translucent, so multi-plate registration is easy peasy. You can re-position them on paper and the ink doesn’t […]
Have fallen in love with a new (to me) process. It’s a gloriously low-tech, immediate sort of method. All you really need is some fountain solution (32oz cold water, 1/2 […]
Gouache on paper! Chen asked for three things: purple, a cleaver, and a flower somewhere on the knife. We discussed a bunch of things, but ultimately settled on a handdrawn […]
This chapbook of gorgeous body poems was written by Sarah B. Boyle. It was my honor to design & produce a cover for it. Happily, peonies started blooming a week […]
Below is the cover art for a set of linked of micro fictions by Laura Madeline Wiseman. Threnody is the first of two chapbooks of micro fiction released in the […]
Title & Author: Skeleton Keys by Laura Garrison Media: poetry chapbook, laser printed guts & hand-pulled covers (serigraph) on 65# stock Colors: 2 colors (iridescent white + metallic gold) on […]